Photo: Nervous Marine guard (apparently reaching for his gun) during photograhy visit, 1984
Photography
It is not easy to photograph an embassy. The State Department is obviously concerned that photos might show security measures or classified documents. Cameras are not normally allowed, and when I toured the project in 1984, I was escorted at all times by the nervous Marine Security Guard above. It was difficult to be treated like an intruder in a building I had spent years creating. The Marine couldn’t believe it when I asked to take photos of the Ambassador’s office, but the Ambassador’s executive assistant joked that it was not a problem because the Ambassador was out of town, and there were rarely any important documents in his office anyway.
Questions about publishing photos and plans of the project on the website were finally answered by the U.S. Dept. of State, Bureau of Overseas Buildings Operations in 2024: "Thank you for reaching out to OBO External Affairs. This question/request was brought to our attention again recently and OBO does not require any action to be taken since the design documents included on your website pre-date many of the security requirements we have on our projects today." In addition, most of the information in this website was published in periodicals in the 1980s (see Completed: Publications).
As previously explained, most of the photographs are digital scans of old 35mm Kodachrome 64 slides from 1978-84, taken with a Nikon SLR. Paul Simon sang about his Nikon camera and the end of Kodachrome, and today both photography and architectural design are digital.
Richard Metler and Fred Bassetti took the photographs listed, and Catherine Bassetti took the aerial photo and many of the photos of the completed building.
Editing
Richard Metler and James Mueller provided historical information and editing assistance for the website.
Typography
I wanted the website to have a look reminiscent of traditional architectural hand drawings of the era (and the previous several millenia), based on universal architects' hand lettering, augmented by Corbu stencils and Leroy lettering . The stencil font used here for major titles is a free Google font. The hand-lettered font used for most text is Tekton, an Adobe font created from digital scans of the lettering of Francis D.K. Ching, a retired architecture professor at the University of Washington.
Sound Track
There was no soundtrack, of course, but to help feel the vibe of the era, here is a link to classic Bee Gees' 1977 Saturday Night Fever. Disco was king, and it was shocking to see John Travolta movie posters in some remote Portuguese villages.
Google Earth
Here is a link to the current Google Earth view of the embassy.
Recognition
One purpose of this website is to recognize the people, particularly the architects, who helped create the embassy project. This has never happened until now, and some of them are no longer with us. Fred Bassetti was fairly generous about sharing credit, but tradition and industry practice dictated that only his name has ever been associated with the project.
After more than 45 years of practice, I am still amazed that architects receive so little credit, especially within their own profession. Architects choose their career because of their love of design, yet even the few that actually design important projects are rarely recognized. They create designs and spend years nurturing them to reality, only to remain anonymous while sole credit is given to the firm or to a senior partner. The primary role of many senior partners is to get jobs- critical to be sure, and they deserve marketing awards. (An ironic twist is that, because actual project designers are seldom officially recognized, design credit for projects is often later claimed by multiple architects and firms.)
Contrast this with other creative fields which also involve many people, big egos, and unique and expensive projects. The movie and TV industries give top billing to star actors and directors, but also credit all of the actors, and everyone else who has even a tiny role in a production, listing scores of people including costume managers, bookkeepers, gaffers, caterers, and best boy grips. Orchestras credit their musicians, not just the composer and conductor. Authors often name co-authors, editors, and others who assist with their publications. Scientific research papers credit everyone from the principal investigator down to young post-docs. Etc.
Last word
This website began with the pandemic in 2020, when I retired unexpectedly and found myself without any projects for the first time in decades. Unlike buildings, I knew nothing about constructing a website, but this was the right project at the right time, combining architecture, history, travel, photography, graphic design, and writing.
I still continue to update the website, and have now spent almost as much time on it as on the original project.
Please contact me if you have any questions or comments.
Christopher Kirk, Architect
Seattle, WA, USA
+1 (206) 380.0099
Chris(at)Kirkllc.com